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NEW! Dante’s Inferno in COMIC BOOK Format! Never before has Dante's classic masterpiece been presented in this way. Now you can experience this major work of world literature in a simplified adaptation. The storyboard is made up of the powerful illustrations by Gustave Dor�. The easy to understand narrative is by Joseph Lanzara, author of the popular “Plain English” versions of Paradise Lost and Romeo and Juliet. This graphic novel pulls no punches. Dante’s harrowing journey through Hell is not for the squeamish. It is a powerful, but ultimately inspiring story of sin, punishment, self-sacrifice and redemption.
* Also available in SPANISH! *
- Sales Rank: #646104 in Books
- Published on: 2012-02-12
- Original language: English
- Dimensions: 10.00" h x .9" w x 8.00" l,
- Binding: Paperback
- 34 pages
Most helpful customer reviews
9 of 10 people found the following review helpful.
THE DIVINE COMEDY of Dante and Dor� becomes eminently accessible courtesy of Joseph Lanzara
By Grady Harp
Joseph Lanzara's stunning adaptation of Dante Alighieri's INFERNO is such a fine work of art, certainly one of the most sophisticated Graphic Novels to be released, may at first suggest the old classic comics of old - the way many youngster's took the short cut to 'reading' the books assigned in school. But this graphic novel is far more than that. Joseph Lanzara has taken on the challenge of making this immense work of literature accessible to everyone: his narrative is eloquent, precisely correct and has a keen sense of distillation of Dante's THE DIVINE COMEDY written in 1317 and moves Dante's journey with Virgil into the depths of the inferno and the heights of the heavens so that the 'story' flows comfortably and comprehensively well.
Lanzara has wisely elected to use the classic illustrations created by Gustave Dor�, the gifted French illustrator who provided the powerful imagery for Dante's work. As biographer's have written, `Gustave Dor�'s (1832-1883) illustrations and Dante's Divine Comedy have become so intimately connected that even today, nearly 150 years after their initial publication, the artist's rendering of the poet's text still determines our vision of the Commedia. Planned by Dor� as early as 1855, the Dante illustrations were the first in a series he referred to as the "chefs-d'oeuvre de la litt�rature." In addition to Dante, Dor�'s list of illustrated great works included Homer, Ossian, Byron, Goethe, Racine, and Corneille. The placement of Dante's Commedia at the top of this list reflects the poet's popularity within mainstream French culture by the 1850s. The 19th century saw an expansion of interest in Dante's work which resulted in numerous translations of the Commedia into French, critical studies, newspapers, and specialized journals, and over 200 works of painting and sculpture between 1800-1930. Dor�'s choice of Dante's Inferno as the first of his proposed series of illustrated masterpieces of literature reflects the extent to which Dante had attained popular appeal in France by the 1860s. Finding it difficult to secure a publisher willing to take on the expense of producing the expensive folio edition the artist envisioned, Dor� himself financed the publication of the first book of the series, Inferno, in 1861. The production was an immediate artistic and commercial success. Subsequently, Dor�'s Dante illustrations appeared in roughly 200 editions, with translations from the poet's original Italian available in multiple languages.'
And now Joseph Lanzara has added an entirely new dimension to the marriage of Dante and Dor�, and referencing the English translations of the novel by Henry Francis Cary (1814) and Henry Wadsworth Longfellow (1867) he has develop the enormous scope of this epic into a succinct form, joining a selection of Dor�'s drawings with the adjacent words of Dante and the result is a visually powerful and literarily precise condensation of a masterpiece. The printing quality is excellent and the design of the story with the images is sophisticated.
For those who have never read THE DIVINE COMEDY this is an exceptionally fine a starting point: for those who have studied Dante this Graphic Novel presentation will be a delightful discovery. Highly Recommended. Grady Harp, February 12
3 of 3 people found the following review helpful.
To Hell and Back Again
By tvtv3
Dante's THE INFERNO is one of those pieces of literature that has had a massive impact upon Western culture and its impact can be seen and felt even today. However, it's also a work that intimidates many people. Using Gustave Dore's famous black and white illustrations of THE DIVINE COMEDY and some of the dialogue taken from the text, Joseph Lanzara has molded together a work that is both breathtaking and highly accessible to a modern audience. Lanzara has streamlined the narrative, but readers who are new to Dante or THE DIVINE COMEDY will come away with some of the key points of the story as well as an appreciation of the vivid imagery contained within Dante's famed story after reading this graphic novel. DANTE'S INFERNO: THE GRAPHIC NOVEL makes an excellent introduction to THE DIVINE COMEDY, but it is also a work that students and fans of the text will probably enjoy and appreciate.
7 of 9 people found the following review helpful.
Dante and Dore for the Mainstream
By Diana Faillace Von Behren
If anyone says that Joseph Lanzara is attempting to replace Dante Aleghieri's famous Inferno-- Dante's Inferno (The Divine Comedy, Volume 1, Hell)--I would have to say that this simply isn't true. Lanzara's comic book version of Dante's allegorical poem reminds me of the old Classics Illustrated Comics that I collected as a kid. Indeed, these whittled down, illustrated renditions of notable works of literature persuaded young and reluctant readers to savor mini-versions of great artistry and rather than deter them from exploring the real deal later on, abbreviated versions like Classics Illustrated act as burning embers do to eventually fan a lasting flame. My first reading experiences were sitting on the floor of my cousin's bedroom, going through his vast collection of Classics Illustrated Comics and vying with my brother and other cousins for which one he was going to allow me to take home and fully read. This competitive spirit fostered an entire lifetime of reading pleasure.
In this case, Lanzara is introducing his reader not only to the great Dante and to Virgil, his guide, but to the Gustave Dore drawings that epitomize this epic masterpiece. In a scant thirty-pages, Lanzara recreates the Inferno and takes you on a whirlwind tour of the beautiful art that quintessentially represents the piece with winged angels and the woebegone denizens that populate Dante's unique brand of hell.
Lanzara doesn't need to modernize his text. He sticks to Henry Francis Cary's translation, peppering the Dore etchings with famous words the evoke the major story line magnificently.
Bottom line? Joseph Lanzara takes a "classic" tale out of the old Classic Illustrated Comic Book series in his recreation of "Dante's Inferno." Illustrated by the great master engraver Gustave Dore, Lanzara cannot go wrong. He presents an abbreviated but thoroughly adequate introduction into the classic tale where Dante blasts the authorities of his day that should urge his readers on to exploring the masterpiece in the original format. Recommended.
Diana Faillace Von Behren
"reneofc"
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